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	<title>Salon &#187; Frankfurter Allgemeine Zeitung</title>
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		<title>(Slovenčina) Ráno v Budapešti / Esej</title>
		<link>https://salon.eu.sk/en/archiv/18476</link>
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		<pubDate>Tue, 26 Mar 2019 05:59:41 +0000</pubDate>
		<dc:creator><![CDATA[andrea]]></dc:creator>
				<category><![CDATA[Esej]]></category>
		<category><![CDATA[Frankfurter Allgemeine Zeitung]]></category>
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		<title>Na pokraji kanibalizmu / Esej</title>
		<link>https://salon.eu.sk/en/archiv/8500</link>
		<comments>https://salon.eu.sk/en/archiv/8500#comments</comments>
		<pubDate>Wed, 05 Sep 2012 13:47:20 +0000</pubDate>
		<dc:creator><![CDATA[andrea]]></dc:creator>
				<category><![CDATA[Esej]]></category>
		<category><![CDATA[Frankfurter Allgemeine Zeitung]]></category>
		<category><![CDATA[Yianis Makridakis]]></category>

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		<description><![CDATA[Za posledné roky väčšina občanov Grécka schudobnela, prišla o zamestnanie, prípadne o strechu nad hlavou. Výrazná časť spoločnosti už nemá prostriedky na to, aby mohla v existujúcom systéme prežiť. ďaleko najhoršie to postihlo ľudí, ktorí žijú v mestách a nemôžu si pomôcť vlastným poľnohospodárstvom. Škrty v zdravotníctve zasahujú najmä pacientov s chronickými chorobami. To sú prvé obete politiky zacielenej na čísla a štatistiky, a nie na ľudí. Často teraz počúvam o samovraždách. Mladí ľudia odchádzajú z krajiny hľadať prácu inde a stávajú sa z nich otroci paranoidného systému: kupujú si čas v krajinách, ktoré onedlho budú v podobnej situácii ako [&#8230;]]]></description>
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		<title>Heroes, Kings and Saints</title>
		<link>https://salon.eu.sk/en/archiv/6711</link>
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		<pubDate>Mon, 16 Jan 2012 17:34:19 +0000</pubDate>
		<dc:creator><![CDATA[andrea]]></dc:creator>
				<category><![CDATA[Esej]]></category>
		<category><![CDATA[Frankfurter Allgemeine Zeitung]]></category>
		<category><![CDATA[Péter Zilahy]]></category>

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		<description><![CDATA[The official celebration of the new constitution of Hungary kicked off in Buda Castle at the National Gallery, the former residence of Hungarian Kings. The government has ordered a special exhibition with one hundred artworks and relics representing a thousand years of Hungarian statehood starting with St Stephen of Hungary to hold our ancestors as a shield against cynicism, Prime Minister Viktor Orbán declared in his opening speech. The director of the National Gallery did not attend. He had sent in his resignation on December 31st before the new constitution went into effect on New Year&#8217;s Day. Several artists, actors, [&#8230;]]]></description>
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		<title>Bumerang šťastia / Nekrológ</title>
		<link>https://salon.eu.sk/en/archiv/4288</link>
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		<pubDate>Wed, 15 Jun 2011 19:54:10 +0000</pubDate>
		<dc:creator><![CDATA[andrea]]></dc:creator>
				<category><![CDATA[Frankfurter Allgemeine Zeitung]]></category>
		<category><![CDATA[Herta Müler]]></category>
		<category><![CDATA[Column]]></category>

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		<description><![CDATA[Zomrel Jorge Semprún. Tisíce historických faktov o nemeckom vraždení som sa dozvedela od Jorge Semprúna. Krištáľovo jasné, presne vybrúsené &#8211; tým, že v jeho jazyku boli také poeticky doráňané. Jeho vety ako odmäk a mráz za čelom, naraz. Tisíce historických faktov o brachiálnej ideológii komunistov a o tom, ako zaobchádzali s vlastnými ľuďmi, som sa tiež dozvedela od Jorge Semprúna. Na francovskej zamilovanosti do smrti som sa naučila, že láska k smrti je súčasťou všetkých autoritárskych systémov vládnutia &#8211; aj ľavicových, aj Božích štátov. Aj žiť s vlastným prenasledovaním, aj to som sa naučila od Jorge Semprúna. Z jeho viet [&#8230;]]]></description>
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		<title>Chernobyl: How We Became What We Are Today</title>
		<link>https://salon.eu.sk/en/archiv/3253</link>
		<comments>https://salon.eu.sk/en/archiv/3253#comments</comments>
		<pubDate>Thu, 28 Apr 2011 21:21:37 +0000</pubDate>
		<dc:creator><![CDATA[andrea]]></dc:creator>
				<category><![CDATA[Esej]]></category>
		<category><![CDATA[Frankfurter Allgemeine Zeitung]]></category>
		<category><![CDATA[Jurko Prochasko]]></category>

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		<description><![CDATA[Before the first astronaut was sent into space, someone who could meet several ideological criteria had to be carefully selected to lend the enterprise a distinctive human face. Yuri Gagarin was chosen to be that man. After the explosion of the No. 4 nuclear reactor at Chornobyl (this is the Ukrainian form of the place-name) it was the countless liquidators who came to symbolize the disaster. There were a great many of them. It was no longer a single face. Robert Musil was right to claim that a man can&#8217;t be angry at his own time without suffering some damage. [&#8230;]]]></description>
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